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I had to see it twice it was so good and I would go back again. The best show I have ever seen, truly wonderful and I can't get enough.
Take your family, take your friends they will love it for sure. Every seat in the house is good.
If your looking for a nice place to eat try Scoma's on the warf.
Joy from Carmel, IN USA
GREATEST SHOW!
This is my forth time to see this show. I've never get bored no matter how many times I see it. Rather, each time, I got more excited, and can't stop that my heart is pounding. I sing and cry with them. This show is extremely intensive, powerful, and beautiful. It gives me strength and enjoyment. The end of the first act, ending with 'One Day More', all the audience take a breath and say just "Wow..." And we all are naturally invited to the second act. Three hours length feels very short because of its depth and quality. Every single cast is very professional and performs enthusiastically. In the end, we all stand up and give a thunder of applause to the company. We don't want you to end! Please come back to Indianapolis again soon... this is my only wish! Thank you for giving us the wonderful and memorable night...
Dan M from Boston
ABSOLUTELY FANTASTIC
My wife and I always wanted to see this show, and it totally went beyond all of our expectations!! Another great experience at the Boston Opera House!
David Silchman from Fort Calhoun, Nebraska
SAW IT IN OMAHA
This is a completely new production, with astounding visual effects (not the oh-so-tired-of-them computer variety) I had never before seen in theatre. The way the show is presented is somewhat different but the original is still there in all its glory. I enjoyed every minute of it and would see it many times more.
Anonymous from Anytown, AT 55555
EXCELLENT
Wonderful performance... Matinee on Christmas Eve. My family has
seen this show multiple times in NYC, in London, in Los Angeles, in
Ft. Worth (about maybe 8 yrs. or so) and now again at the Winspear.
Excellent. Strong lead characters.
Yolanda from San Francisco
CERTAINEMENT UN DOIT VOIR !
I saw the Broadway musical Les Misérables, based on Victor Hugo’s classic novel, an uplifting story about the survival of the human spirit. It was an excellent script, with powerful actors whose lungs never gave up; the re-imagined scenery inspired by the paintings of Victor Hugo, which included the integration of video during the chase scenes in the Paris sewers, were remarkable and lifelike. The songs were of many moods—angry, jubilant, romantic, and wistful. The whole audience were in awe and standing ovations were well earned by the crew—All in all, it was unquestionably a spectacular production from start to finish! Definitely a must see, for all, including children.
Michelle from San Francisco
GREAT PLAY
Saw this a few years ago in SF where my friend played the lead role) and it was just amazing! It was really moving. I'd watch this again. Five stars all the way!
Anonymous from Costa Mesa
WONDERFUL
Loved this version of Les Miz!
Les Mis Lover from Texas
AMAZING!!!!!!!!!!
Les Mis is the best musical ever written! It moved me, like nothing
has before!
AKS from San Francisco
AMAZING
I'm what you might call a Les Mis junkie...I own all the different
cast recordings, I've seen the show over 10 times, and I've
read the book (yes, the unabridged version) three times.
My background with Les Mis being what it is, I'm a bit
opinionated. In a word? Amazing. Still moving. I love some of
the changes they made (speeding up the music, changing the
special affects...). Do I miss the spinny stage? Of course, but
in this case now, the actors need to depend on their ability to
tell the story (and SELL it - which they do), and not depend on
a gimmick.
The SF cast brought their A-game to the show. The musical
and acting ability of every one of them was top notch. I've
seen Colm Wilkinson as Jean Valjean, and I know I'm
committing Les Mis blasphemy here, but I honestly think Peter
Lockyear was the best Jean Valjean I've ever heard.
Go see it. Take a box of tissues with you, and enjoy this
recreation of a timeless story.
Brittany from Monterey, CA
AMAZING!!
My fiance bought tickets for us to see Les Miserables for my
birthday. I was blown away!! It was amazing in every way. The cast
and crew did such an amazing job. From the set, lighting, and
special effects to the amazingly talented voices of the cast, it was a
perfect and unforgettable experience!!!
Jael from Oklahoma City, Oklahoma
ADVANCED THEATRE TRIP
I think this show was absolutely amazing, maybe because I haven't
seen many live shows outside of school but when my teacher Mrs.
Brown told us we were going to see it I was already stoked.
The effects were amazing and the singing was phenomenal in my
opinion, I just wanted to share my great experience with everyone
who did't get see it because it was just so brilliant!
Larry H from Washington, District of Columbia
BEST SHOW EVER
If you only see one show in your lifetime, it should be this one. I have the CD, DVD, and see it in the theatre everytime I can. Enjoy the show!
Dr. Matigian from Chicago, Illinois
IF YOU DIDN'T LIKE IT YOU DON'T KNOW LES MIZ
We (wife and I) have seen nearly every production in Chicago since 1992 going back to the big stage, turntable, Auditorium productions. We have always enjoyed it but it's been a long time since we've loved it. What a cast!! Great job, guys!!
Christine from Cleveland, Ohio
THE BEST PRODUCTION YET
I have seen Les Miserable before, but this was the best production to date. No other show featured an entire cast with such perfect voices. Valjean and Javert were the best I have seen. I loved this production and was pleased to take my husband to see the Cleveland performance as his first Les Mis viewing. Highly recommend
Rosanne from Sarasota, Florida
JUST WONDERFUL
I cannot believe the criticism of this remarkable production. We
left the theater completely drained emotionally. The performers
put their hearts into every word, every action. The seats were
fine, except I always manage to have a tall person in front of
me. ( I'm 4'10). We are from Pennsylvania and the theater was
truly beautiful, the staff helpful and friendly. I would go again if
our vacation wasn't ending soon. Valjean, Javert, such
dynamics between the two. Little gavroche, powerful. Eponine
displayed such feeling.. Poor reviews for this play are hard to
fathom. Credit should be given to performers who have
brought to life the greatest literature ever written.
Derek & Mam from Boston
LES MISERABLES, A TRAGIC AND BEAUTIFUL STORY...SUCH IS LIFE.
What a visually stunning, tragic and beautiful story... and what an overall, Magnificent Performance! Les Miserables, is a must see.
Dora from Boston
AWESOME!!!
I saw the production on a tuesday and convinced my family to buy
tickets so we could see it again. It is PHENOMENAL. The set is very
creative and modern, and the orchestra did a fantastic
interpretation of the score. The actors were really good and had
amazing voices, especially Enjolras and Javer. They are also nice
people, and give autographs and pictures whenever. I wish I could
have seen it a million more times. It's too bad they're leaving
today...
Anonymous from San Francisco
WHY IS IT SO LOUD?!?!?!!
Great--now that we have the technology to put a
microphone on the forehead of everyone in the
cast, we have also apparently decided that a
musical play has to be presented at the same
volume as a rock concert. The volume level is
totally painful to the ears, not to mention the
distortion that comes with turning up a sound
system beyond its sweet spot. The sound
engineering team should be ashamed for ruining
such a great production. Whatever you do, bring
ear protection!
F. Lee Finch from Leavenworth, Kansas
BEST SET, LIGHTING, VOICES, ORCHESTRA!!!
My wife has seen Les Mis about 6 times and I have seen it 4 times now. This is one of the best shows I've seen. The orchestra was great! Wish I could play the trombone-tuba part in this. What a blast! Voices were very well balanced with the orchestra... Hats off to the sound crew! We thought this was a little different version as we noticed that the solos were much more free/rubato than we've heard before. It allowed the soloists to try to be more natural and dynamic with the words, vice a strict tempo. Nice job. Loved it. This is a great tour group. Nice to see musicians traveling with the tour.
D from Boston
IF IT'S NOT BROKE, DON'T FIX IT!
I've seen this play multiple times in Boston and London. i've
loved it every time. I'm really glad I went tonight and think
everyone should see this timeless musical.
The new production, however is not even close to the original.
Fantine's voice is so weak in the beginning of the play. It didn't
grab me. In the original version, even when she was dying and
singing softly, there was a strength behind her voice. Near the
end, she belted out her words, moving the audience to tears. In
the new version. I sat, mouth open, feeling completely let down.
Where was the power?
The rest of the production was pretty good. They all have
beautiful voices, but I felt that many times the singers were
holding
back instead of grabbing the audience with their wonderful
voices. Was this because of the new director? The
original has been around for two decades for a reason. Bring
back the beauty of the original.
Anonymous from Anytown, AT 55555
GOOD, BUT NOT GREAT
Music is excellent as always.
Stage set and projected effects are very good.
Some material is missing (20 minutes worth.)Valjean, Javert, Enjolras and Mdm.Thenardier are outstanding.
Young Cosette, Gavroche and Eponine are OK at best. Adult Cosette is good.
Fantine is awful.
Good production, but not as good as the original.
Worth seeing, especially if its new to you.
Scott h from Vancouver, British Columbia
MY VANVOUVER LES MISERSBLE EXPERIENCE
First of all I must say that les miserable is my favorite
broadway show, having seen it 3 times now in vancouver and
once in london. Overall I liked the latest showing. Both val
jean and javrert performed quite well. I only have 2 critiques
that took away from an overall enjoyable evening. First of all
about half of the performers had their mikes hanging down
on their forheads which was hard to ignore. For me sitting in
row 9 seat 43 it was distacting and took away from their
performance. (Not that I blame the cast for this). The second
critique is hard to say. I have always believed that the best
person for a job should get it. That being said, having Marius
played by an asian man in an 1800s period Paris play was a
bit to take in (even though he did a good job of it). I just felt
like it wss a little out of place, but we live in a PC country
now. Overall I did enjoy the show and had a nice evening out
Pmfl from Atlanta, GA
LES MISERABLES IN ATLANTA
I saw the show on Saturday, April 28 in Atlanta. While the orchestra was great and the music wonderful, I agree with one reviewer. I felt the whole production was rushed. I did enjoy the music, but I kept waiting for Jean Valjean to tear my heart out,and he never did, All the action seemed too rushed; I never had time to become involved with the characters. My only experience with the musical was the two PBS anniversaries, and I truly expected a more dramatic interpretation of the songs. It was still a good production. The staging was fantastic. It was only afterwards that I got the feeling that everyone was rushing to "get through" the production, similar to the way we did our dress rehearsals for shows. Just get through it. I'm still glad I went. Very talented singers vocally; lacked a bit of the dramatics I expected. Seats were great. The Fox has great acoustics and no bad seats. Wish I could see it again with the same company to compare performances.
Pauline from Kansas City, Missouri
BRAVO LES MIS!
Lead male vocals were positively stunning.
Anonymous from Philadelphia, Pennsylvania
VERY GOOD, BUT COULD BE BETTER
We saw the show last night at the Academy of Music in Philadelphia (wonderful venue). The cast is quite good. I thought that most cast members were excellent-in particular, the Thenardiers (very funny), Valjean (who was actually the understudy), Eponine, and Javert. The only caveat with Javert is that his voice is SO unbelievably strong that it overpowered the theater and some of his co-stars. He certainly does not need to be miked.
I would agree that the show seemed quite rushed at times and it could be difficult to follow...if I hadn't just seen the movie, I would have had more difficultly. The sexual humor was funny in the beginning, but the wine bottle penis gag did get old after a while...
I was not a fan of older Cosette-I thought she lacked any true emotion and her portrayal honestly annoyed me.
Canaday from Albany, New York
NOT AS GOOD AS THE 1ST PROCTORS PRODUCTION OF LES MIZ
The new staging of the road show of Les Miz has some aspects
that are improvements but over all it did not have the impact of
the original staging including the turntable stage. The actor and
actress playing the Thénardiers toned down comic relief aspect
of their roles to the extent that instead of seeing them as a
comedic personification of a dog eat dog world they were were
merely evil. The audience did not laugh heartily as they did when
the original touring company came to Proctors decades ago. The
performer playing Jean Valjean started out as lackluster but
ended up being strong yet the audience did not give the sure-
fire wildly exuberant ovation that the ValJean signature song
Bring Him Home always generates. Marius was strong in voice
and far superior to any of Marius characters in the two
Anniversary concert DVDs. The annunciation and sound did not
lend itself to lyrics being understood by those who were seeing it
for the first time. Quite OK for veterans viewers.
Simple Citizen from Reno, NV
AMAZING PRODUCTION, FEW POOR CHOICES.
This show was spectacular. I went in expecting a good show - but I knew it wasn't the Broadway production, or the North American Touring group - so I didn't expect it to be great. It was.
The staging, the orchestra, and the lighting were perfect. Really. It was perfectly staged with great use of set pieces for multiple scenes with nothing seeming out of place. The orchestra was perfect, volume was great, and I was amazed to hear an orchestra sounding just as good as the 25th Anniversary concert int he O2 in London. They really were that good.
The characters were mostly great, with a few faulty choices. See full review here:
http://lesmiserablesabridged.blogspot.com/2013/06/review-california- musical-theater.html
Cheryl Pietsch from Pittsburgh, PA (USA)
BRING BACK THE ORIGINAL "LES MISERABLES"
I have seen "Les Miz" over 40 times, yes 40. I have seen it throughout the US & Canada. I have tried to see it when I visited France, but it wasn't playing then. My bucket list #1 is to see the original play done in French. I saw the new version twice in Pittsburgh in the last 2 days, & I was terribly disappointed in the new version's techniques. The actors/singers were fine, but the new staging completly ruined the intensity of the drama in the original play. The once forceful barricade scenes no longer have meaning. Many of the actors cause you to dislike them rather than have sympathy for them. I don't know where Mr. Macintosh's mind was when he did not show Garouche being killed. The gunshots were almost on mute,& there was no smell of gunpowder to raise the senses. There are too many things in the world today that need changed, don't revise a perfect play. I visited "La Maison de Victor Hugo" in Paris this summer. He could have never imagined this version of his work.
Sally from Denver, Colorado
OFFENSIVE SCENES TOTALLY UNNECESSARY
This is an amazing story full of awesome powerful lessons in life about justice and mercy, love and forgiveness. The lewd scenes were totally unnecessary and in very bad taste!
Jeff L from Boston
ABOUT A C-
I had seen this play years ago and thought it was spectacular
so when I had the opportunity to bring a friend to see her first
show, Les Mis was the one I picked. Unfortunately, the new
staging was muddled and the performances were not very
impressive. Don't get me wrong, the cast could certainly
sing... but they spoke-sang a lot of the songs and that was a
disappointment. Also, they didn't manage to convey much
emotion and it was often hard to even tell what was going on.
Without spoiling the plot for those who haven't seen
it, there's a scene in which one character dies. In past
performances that I've seen there was never a dry eye in the
theater at that point. In this year's performance, no one
(including me) was particularly moved. As my friend's first
exposure to the Broadway style experience, it was a big
letdown. It was a waste of time and money.
Biondi from Washington
NEGLECT
The conductor is the cement that holds the production together
and yet, in Les Mis, he never gets mentioned . I don't understand.
Who is the Musical Director/Conductor of the production at the
National?
Ty from Atlanta
A MIDDLING PERFORMANCE OF BROADWAY'S BEST SHOW
The Eponine character, who usually is the most dynamic in the show, is absolutely horrible. Worst I have ever seen (5 broadway, 4 touring) in 16 years of seeing this show. She seems like somebody in the audition rounds of American Idol that just thinks she is the bomb and needs to put vocal run-ups where they don’t belong. Add to that she seems to have a soft-spoken mumble about her, and I was just crushed to see such a prime role murdered. The single worst mauling of On My Own that I’ve heard.
Fantine’s actress also left a lot to be desired, though she sure filled out her corset well. When she broke into her too-quickly-tempoed version of I Dreamed a Dream, I couldn’t help but think I was watching a high school audition. Constant moving about the stage, over-acting, and just pitchy dawg.
Valjean started out a little “meh” but pulled himself together for Bring Him Home, which was nice. The guy has a tendency to go up in pitch when most Valjeans would be going down though. Drove me nuts all night.
And Javert, the character which can dominate a show at any time, was not bad either, though not without fault. First off, he was kind of short. Javert should be a large, imposing figure. This guy was about one inch taller than Valjean. He was struggling through Stars until the last verse where he kinda pulled it out of his rear and saved the song. His suicide was paced wayyyy too quickly and he flatly did not have the ability to bring the appropriate emotion and struggle into the song.
Overall, 5/10.
But those who have never seen the show before, and have no idea how good it can be when properly acted, you’ll like it. The story is fantastic, no matter who is destroying the beautiful music.
Dee from Cincinnati
DISSAPOINTMENT WITH NEW PRODUCTION
Did not like the new production style of les miserables. Despite every cast member having outstanding vocal abilities, at times they screamed instead of sang. Eponine's solo in the second act showed anger, not the sad soulful longing of past performances. Javert's final solo was very disappointing since he did not sing all the lyrics, rather yelled them. What a shame, these actors had excellent voices, why not use them. The microphone accoustics had a high tech sound as well, which was not a good fit for the genre of the play.
Found the set to be unusually dark, at times it was actually hard to see. Missed the turntable, and during the finale of Act one, the cast marching looked jerky, not as natural as the old staging. Appreciate the attempt to update the play, but bring back the soulful solo's, take out the anger and screaming!
George Bairey from Modesto, California
DISAPPOINTED
I admit I am a Les Mis snob. By far my favorite show, I've
seen 10 productions, London, SF, Sacramento among them.
The SF Les Mis at the Orpheum was a disappointment. We
knew they had tweaked the show, and I was prepared to
accept the changes. After all, it is Les Mis, right? Wrong.
Something was out of whack from the outset. Very little
emotion bubbling up, no stirring of the soul. And where did the
rotating barricade go? And the very large flags? They should
have left well enough alone. What were they thinking?
Anonymous from Denver, Colorado
DISAPPOINTED IN DENVER
I was so excited to see Les Miz again for our anniversary, but we both left the theater very disappointed. The singing was good, Jean Valjean was strong as was Javert, Fantine, and Eponine. Cosette happened to be great, and I don't usually care for the soprano voice. There were a few flat notes though which is something you don't expect with a production of this caliber. The acting also did not move me as it had in the past. The students fought, they died, the end. It was just like that.
I would never, ever take my kids to see this production. It was absolutely vulgar. Prostitutes singing is part of the story-yes, but the sexual acts going on were so uncalled for, especially in theater. And of course, it didn't stop there. You can get that junk at the movies.
It was a waste of money and a beautiful afternoon. Skip the show until they fix the problems. Give us back Les Miz as it's supposed to be!
Anonymous from Nevada City, CA
DISAPPOINTED.
Either the sound engineer or the equipment, or both, failed in this theatre/performance. If I didn't know the lyrics or the plot (as it appeared most patrons did) it would have been impossible to understand what was happening. It's a shame that the performers put their hearts and souls into performances that were for the most part incomprehensible. As always with this show, the music carries the day but if this is your first time seeing it, I couldn't recommend this production.
Tom Partridge from Indianapolis
IT WAS NOT BROKE!
If it's not broke then don't fix it. The original was a work of art. You would not mess with Mona Lisa's smile so why screw with the great original Les Mis. I guess seeing Colm Wilkinson years ago spoiled me. And the Thenardies of that era were actually funny! This version left me emotionless.
What a shame. Missed the revolving floor, the slow motion death scene on the barricade, actually seeing Gavroche die, a wedding scene that had a decent set, etc. etc. etc.
I could go on but I'm to angry..........
Marge from Boston
DARK DISMAL SETTING
Have seen this 4 other times. This was by far the worst.
P. Moore from Albuquerque
VERY DISSAPOINTING
Very disappointed with the June 10 evening performance at popejoy hall in ABQ. The lighting was such that many key lines were sung by characters in the dark. Even when a character was lit up form 11 rows back it was very hard to see facial expression. In fact poor Gavaroche. Both of his key lines he was or was nearly in the dark. Use of only a spot on the right side caused dark faces when the turned left. Spots were also often late with characters rising into the dark with spot following. This was not what one expects from this quality of a show.
Mic's on Thenardier and Fantine were too low so lines sung in a soft voice were very hard to hear. This really took away from great singing by the cast. Choosing to not use the rotating stage in the original performance I think really limited the set as well. The barricade entrance was very weak compared to the original show and having much acting with actors back to the audience was disappointing. Its too bad because the cast had good voices
Isabella S. from Philadelphia, Pennsylvania
NOT IMPRESSED
I was not impressed at all. Jean valjean was great in the
beginning but as he became older he was horrible. The
singing was mediocre nothing spectacular. I have to say
though the sets were great I wasn't expecting them to be really
as good as they were. I thought a lot of the characters just
didn't fit. There was much emotion either. I was just
disappointed it wasn't that great as I expected.
Tom Thornton from Vancouver, British Columbia
OH! SO DISAPPOINTING IN VANCOUVER
The sound is awful in this production at the QE .
The Orchestra is way over amplified to the point of being painful and drowning out the vocalists. Unsure why ? -Bad diction, poor microphones, bad sound system or audio technicians, but the lyrics were indicernable. What a shame as the staging was awesome !
TomT
Stacey from Boston
WASTE OF TIME AND MONEY
watch the pbs anniversary version...at least they can sing and you can hear them. sat in the balcony and could hear more stage movement noises than the singing. i wasn't impressed, not at all. the whole production from start to finish lacked everything les mis is all about.
NICK from Jacksonville, FL
SLOW DONE!
We attended our favorite show tonight. I agree with most of
the other reviews. JVJ was awesome, Javert was super.
However, trying to fit four hours into less than three left us
exausted and disconnected from the characters. I saw no
tears, because we never knew Fantine or Epoine..I agree with
an Atlanta review, watch the timeless DVD version at home
with your family.
E Relajo from San Francisco
HURRY! STAY HOME!
OMG, this felt more like a fist fight than a musical!
The tempo of the music was was so fast that I wish I had a
neck brace! And LOUD.... Van Halen is more soothing than
any of this! Stay home and listen to the cast recording and
savor the image in your head of the last time you saw it.
And whatever you do, sit in the back if you must go...
and don't bring the kids... the wine bottle/penis joke was
worn out in the first act, but came back again and again!
Theater is way too expensive to make such horrible mistakes!
The Sardine cane that is the Orpheum is a nightmare and
this show made it worse.
Well, it's in a sea of panhandlers and junk
food. You would have to walk too far to eat anything decent,
and ... bring lots of "spare change" for the walk back. And
we LIVE in
the city. That'll tell you something.
Julie from San Francisco
NOT IMPRESSED
You knw, most of the reveiws here sum it up better than I. However, one observation that I will make is that the Orpheum Theatre is not a good venue for the vastness of this musical. The stage is quite small compared to other theatres in SF.The last time I saw this, it was on Geary and it was just stunning. I am starting to have real reservations about the Orpheum projects. Mama Mia was just dreadful this last year. Just my opion, but I won't be going to any more productions at the Orpheum. They are a waste of lots of money.
Salooth from Los Angeles, California
PALES NEXT TO ORIGINAL
Saw this very cheap production once in Los Angeles in 2011 and
once was enough. I gave it one star for the talented cast but even
they couldn't save this very soulless, mediocre, "re-imagined,"
staging. Nowhere nearly as powerful as the great Trevor Nunn
and John Caird staging. It is actually over-complicated further as
a daft strategy to distance it from the original, resulting in the
flow and impact suffering in the process. The projections can
hardly be seen and amount to a few slides and some video, all of
which is just distracting and not very modern, contrary to what
marketing says. One of those View Finder toy projectors from the
70s could do a better job. The vast revolving stage and huge,
inter-locking barricades of the original were truly high tech and
very innovative even for today. This 25th anniversary staging is
flat, unimaginative, distracting, gimmicky, and the orchestra
sounded canned to me. Saw the original many times, but this,
once was definitely enough.
Anonymous from Sacramento, California
BAD SOUND, BAD LIGHTING, BROKEN STORYLINE
Took my wife for her to see Le Miz for the first time in Sacramento, CA. I saw the Sacramento production in about 1998 and I was blown away, and I had never even HEARD of Les Miz at that point in my life. I felt the characters, the setting, and the whole story! BUT this production was awful. For one, we could not hardly hear any of the words (the guy in the seat behid me said the same thing and we were about 10 seat back from front) as the general audio was terrible and the tempo was very rushed. Two, the lighting was not good. Three, the sets seemed cheap. Four the music was too loud most the time. And five, the overt sexual acts were unnecessary to the story.... I gave it one star as the performers seemed fine, not their fault. I feel bad my wife had to see this production first.... I'm glad I took her to see Wicked in S.F. a few months ago and it was fantastic!
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